drawing by Miquel Calatayud  
  Tools for European Screenwriters' Training
 
     
 

TEST SEMINAR 2006
Challenging the status quo: How relevant are current Screenwriters ’ Training and Development Programs within the European Film Industry?

Script development is obviously closer to alchemy than to cooking with recipes. It is difficult to analyze this creative process, but important to examine, after 15 years of investment and practice in European screenwriters’ training and development programs, whether or not the skills and methodologies that are being transferred in these programs are still relevant. We need to look at this question by taking into account the evolution and changes in production, markets, and in professional practice in the film industry across Europe now.

TEST is a program intended to improve the quality and relevance of training and development programs for producing screenplays in Europe, as proposed by government sponsored and/or independent institutions and/or by the film industry itself.

The TEST SEMINAR 2006 is a 2-day debate to challenge the status quo in this field, and to define new training parameters, tools and strategies for the creative film development of marketable European feature film.

Three development initiatives, strictly project-based, and emphasizing the interaction between producer and writer(-director) will be proposed as case studies to support the debate.

FactFiction Lab – PAL London, P.R.I.M.E – transFOCAL Berlin, Slingshot London

 

 

Speakers

  • For FactFiction Lab
    Ruth Caleb, Producer BBC Drama, tbc (London)
    Gavin MacFadyen, Documentary Filmmaker and Director of the Centre for Investigative Journalism, and FactFiction Lab Mentor (London)
    Jenny Thompson, PAL FactFiction Lab Director (London)
  • For P.R.I.M.E
    Frank Stehling, Project Director (Berlin)
    Donat Keusch, Project Co-Developer (Berlin) Producer participant in the first P.R.I.M.E edition
  • For SLINGSHOT
    Arvind Ethan David, Producer and Managing Director (London)
    Rachel Connors, Producer (London)
    Writer-director participant in the first Slingshot Lab
  • Jonathan Olsberg, Audiovisual Strategic Consultant, Author of the ‹Study of Continuous Training for Audiovisual Professionals in 32 European Countries›

Moderator

  • Antoine Jaccoud, theater and screenwriter, script doctor (Lausanne)


 

Participants
20 Heads / Managers of screenwriters, writers(-directors) and producers training programs from across Europe

Date and venue
From 23rd to 25th June 2006, in London

Registration deadline
28th April 2006; please add a presentation of the program/training institution you are leading as well as your CV

Fee
The Seminar is free of charge, the accommodation and meals are paid for. Travel costs must be paid by each participant.

Language
English without translation

Organization
TEST Seminar, Susan Benn, PAL
TEST Online, Lourdes Rubio, FIA

Informations & Applications
PAL
6 Flitcroft Street, UK-London WC2H 8DJ

 
  TEST 2006 SEMINAR
23 - 25 June 2006
London

CHALLENGING THE STATUS QUO: How relevant are current screenwriters training and development programs within the European film industry?
 
  Friday 23 June
  Welcome Lunch and introduction from Susan Benn (PAL), Pierre Agthe (FOCAL), Joan Alvarez (FIA) and Antoine Jaccoud, Seminar's moderator
  Conversation with Jonathan Olsberg on interaction between screenwriters and producers training programs and the European film industry. Jonathan gives an over view of the findings of his "Study of Continuous Training for Audiovisual Professionals in 32 European Countries"
  First case study: FactFiction Lab
Ruth Caleb, Producer BBC Drama, (tbc), (London)
Gavin MacFadyen, Documentary Filmmaker, Director of the Centre for Investigative Journalism and Fact/Fiction Lab Mentor (London)
Jenny Thompson, PAL FactFiction Lab Director (London)
  Tea and ‘open space’ comments and questions
  Working groups begin discussions about
Evolution of the audiovisual training landscape: what future for the independent training providers?
Profile, content, interaction with the industry, interaction with the film schools...
  Dinner
 
  Saturday 24 June
  Feedback from the working groups and ‘open space’ questions on Friday afternoon.
 

Second case study: P.R.I.M.E.
Frank Stehling, Project Director (Berlin)
Donat Keusch, Project Co-developer (Berlin)
Producer, participant in the first P.R.I.M.E. edition

  Coffee and ‘open space’ comments and questions
 

Working groups continue discussions about
Evolution of the audiovisual training landscape: what future for the independent training providers?
Profile, content, interaction with the industry, interaction with the film schools...

  Lunch
  Third case study: Slingshot
Arvind Ethan David, Producer and Managing Director, Slingshot (London)
Rachel Connors, Producer, Slingshot (London)
Writer or writer-director, (tbc) participant in the first Slingshot Lab
  Evolution of the audiovisual training landscape: what future for the independent training providers?
Plenary debate with Jonathan Olsberg, one representative from Skillset, one responsible for policy-making from MEDIA Training and Caterino d’Amico, President of the International Association of Film and Television Schools (CILECT)
  Tea and ‘open space’ comments and questions
  Summary of the debate
  Dinner
 
  Sunday 25 June
  Summary of ‘open space’ questions
 

Working groups form
Critical analysis of TEST proposal for 2007

  Coffee
  Feedback from working groups and closing remarks
  Optional Farewell Lunch
 
  © 2006, PAL, FOCAL and FIA