Between handcrafting and fine watchmaking, between archaism and high technology, stop-motion animation is perhaps the most fascinating form of making animated films. Although some people announced its end with the appearance of computer-generated images, there is renewed interest in this technique that stands out for its artisanal rendering.
This is a workshop on STOP-MOTION workflows and pipelines, budgeting, production and control methods, team organisation and communication.
Speakers
Angela Poschet
Production manager, scheduling supervisor (Berlin): O APOSTOLO (2012), FRANKENWEENIE (2012), ISLE OF DOGS (2018)
Simon Quinn
Producer, Bigfatstudio (UK): Tim Burton's Frankenweenie, Fireman Sam, Hannah’s Helpline
Dorien Schetz
Studio manager, producer, Beast Animation (BE): This magnificent cake! (2018)
Organisation
Fred Guillaume, animation filmmaker and FOCAL Animation Department Head
Online tools
- comparative list of line-test tools
- comparative list of cameras and cranes
- examples of pipelines
- address list of puppet/armature makers