How to be digital sharp, play with these on-going developments and benefit from new opportunities?
This 2.5-day workshop gives the participants the methods and tools to
- be acquainted with the main workflows available on the European market
- best position the production of their feature or documentary films within the digital workflow
- grasp the means of communication and tasks division between the partners involved, from the director to the postproduction provider
- understand the advantages and disadvantages of digital distribution and the importance of digital archiving.
For more details and registration → www.digiprodchallenge.net
"The main quality of DPC is the high quality of the experts, the very interesting case studies, and, most of all, the presence of a moderator who is a pure producer. He has been able to "translate" a lot of technical stuff into a more production-like language (how does it affect the budget? how does it affect the schedule? etc.). I really appreciated this formula."
"I felt very lucky to be a part of this group and to tap into the immense knowledge our teachers obviously possess. They were extremely prepared and approachable throughout."
"One of the best things is that all the tutors were willing to consult everybody not only during the seminar, but also afterwards, no matter when and where - in the elevator, smoking place or near the dinner table."
Philippe Ros
Director of photography and Digital Imaging Supervisor, France (oceans by Jacques Perrin and Jacques Cluzaud, home by Yann Arthus- Bertrand). For television: cinematographer of the first five seasons of the series kaamelott, directed by Alexandre Astier
Tommaso Vergallo
Director Digital Cinema Department, Digimage Cinema, France (amélie from montmartre by Jean-Pierre Jeunet, home by Yann Arthus-Bertrand, love by Michael Haneke, rust & bone by Jacques Audiard, on the road by Walter Salles etc.)
Ruedi Schick
Founder and CEO of Swiss Effects (1985), Switzerland, worked on the postproduction of many Swiss and international film productions such as social genocide by Fernando Solanas and days in the country by Raoul Ruiz
General moderator
Martin Hagemann
Producer, zero fiction film, Germany (the turin horse by Béla Tarr, the children of huang shi by Roger Spottiswoode, fay grimm and flirt by Hal Hartley, moloch and father and son by Aleksandr Sokurov, etc.)
