The Dramatic Present - The scene-beat writing workshop

Participants
8 authors and up to 4 directors and/or producers who accompany their authors
Date and venue
15 to 19 September 2004, in Zurich
Registration/Application deadline
23 August 2004;
please add your CV and a scene of your screenplay or the outline of a scene
Fee
Reduced price*:
CHF 620.-
Full price:
CHF 1870.-
Language
English and German, without translation.
Organisation
Bettina Schmid
Pitch
In-depth scene development workshop with lectures, improv exercises and actors.
Screenwriting is always in the present. It is the scene that carries the absolute present tense of a movie: what is happening right now. The scene is the place where the writing is either working or not working. Here concepts are transformed into flesh and bones, where characters come alive. The dynamics of the scene are a miniature of the dynamics of the entire screenplay. The Dramatic Present! is five full days of scene development. The workshop focuses on enhancing the dramatic structure and dynamics of the scene material by working on the beats, the building blocks of the scene, as well as on the structure of conflict, action, dialogue, rhythm, text and subtext. Lively and engaging writing and improv exercises will bring out the full dramatic potential of the scenes. Actors will be on hand to illustrate how dramatic scenes are transformed through staging. Participants will work directly with the actors on their scenes. There will be space for a maximum of 6 to 8 scene projects. Participants may either bring/create a scene to develop, or elect to work in partnership on the development of another participant's scene. It is encouraged that teams of writer/director or writer/producer attached to a project will attend together. But the workshop is also open to those who wish to learn by participating in the scene development process through the written scenes of others in a collaborative atmosphere. All participants can expect to take part in improv exercises, scene readings and stagings.

Scene Material:
- interior scenes (2 pp. max.) with 2 to 3 characters for being staged in a studio space. Submit also the preceding and following scenes from the screenplay (5 pp. max.) total. Prose outlines for scenes (2 to 3 min. playing time) are also acceptable.
- Scenes in German with English translation.
Speakers
Keith Cunningham MA

Screenwriter and consultant based in Chicago, Illinois and Zurich, Switzerland.
Born and raised in the Unites States, he started as a professional cameraman. From 1984 Keith Cunningham leads (often with his partner Thomas Schlesinger) screenwriting and story development seminars worldwide for the American Film Institute, the Director's and Writer's Guild of America, Bavaria Studios and RAI.
Daniel Speck
Screenwriter and script consultant based in Munich. He writes series and TV movies for PRO 7, SAT.1 and KABEL 1 and teaches screenwriting at the Hochschule für Film und Fernsehen München, Internationale Filmschule Köln and Deutsche Film- und Fernsehakademie Berlin.

Focal is supported by
OFC