How to be digitally smart and benefit from the ever changing developments in post-production?
This 3.5-day Workshop gives the participants the methods and tools to
- become acquainted with the main post-production workflows available in the European market
- best position the production of their feature or documentary film for the digital post-production workflow
- communicate and optimize the division of tasks between the many collaborators involved, from the director to the post-production providers
- understand the importance of archiving, the advantages and disadvantages of digital distribution and to be prepared for tomorrow's challenges and opportunities.
For more details and registration digiprodchallenge.net
"DPC has been a fruitful experience for me: in a few days, I've been able to have a much clearer and a more concrete idea of the digital world, of the key challenges not only for technicians but also for producers like me and to realise the importance of making the right choices at the right moment (for sure it is interesting budget-wise), and of teamwork. Although we live more and more in a virtual world, we make films with people, and communication between professionals involved in a film is still vital to make it happen in the best possible conditions!"
Producer, Berlin
The Experts
Philippe Ros
Director of photography and Digital Imaging Supervisor, France. oceans by Jacques Perrin and Jacques Cluzaud, home by Yann Arthus-Bertrand. For television: cinematographer of the first five seasons of the series kaamelott, directed by Alexandre Astier.
Tommaso Vergallo
Post-production expert, Noir Lumière France. A 20-year experience, working as production and postproduction manager in digital laboratories like Swiss Effects, Duboi, Quinta Industries. Digimage Cinema. amélie from montmartre by Jean-Pierre Jeunet, a brotherhood of wolves by Christophe Gans, home by Yann Arthus-Bertrand, love by Michael Haneke, rust & bone by Jacques Audiard, on the road by Walter Salles, etc.
Florian Rettich
DIT & Workflow Supervisor, Germany. A HD supervisor and DIT (bvk) since the first hours of Digital Cinematography all over Europe and is well known as a universal specialist for almost any kind of digital acquisition technology and digital workflow. He is also Senior Trainer and Consultant for Digital Workflow Solutions at ARRI. pina, every thing will be fine by Wim Wenders, die vermessung der welt (3d) by Detlev Buck, highlander - the source by Brett Leonard, etc.
Martin Hagemann
Producer, zero fiction film, Germany. the turin horse by Béla Tarr, the children of huang shi by Roger Spottiswoode, fay grimm and flirt by Hal Hartley, moloch and father and son by Aleksandr Sokurov, etc.
