EKRAN

Participants
12 teams, each consisting of a director (or writer/director), a writer (or cowriter), a producer and (optionally) a director of photography. Two Swiss teams can participate.
Date and venue
1st session 2 - 7 March 2009
2nd session 19 - 30 April 2009
3rd session 14 - 27 June 2009; in Warsaw, Poland
Registration/Application deadline
expired!
Fee
The selected teams will be granted scholarships, incl. participation fees and accommodation. Travel costs are to be covered by the participants.
Language
English
Organisation
Agnieszka Marczewska, AWMSFD

EKRAN is a European training program focusing on the creative pre-production process, as based on shooting practice. Group and individual work will be supervised by highly professional filmmakers.

Session 1: After presentation of the EKRAN program, a script (or treatment) analysis module and each participating project's pitch, the crucial element of this session will be the intense development of the projects. Special emphasis will be granted to working with actors and creative set design.

Session 2: This session will be devoted to developing a more advanced version of the script and to seeking visualisation strategies in order to ensure a truly personal tone. Scenes from the participants' projects with two or three actors will be produced and evaluated. Participants will concentrate on developing images and camera movements through storyboard sessions. A case study examining the relationship between biography and fiction as well as an introduction on the producing component will complete the session.

Session 3: Each team will have the opportunity to invite a director of photography and two actors from its native country to produce a scene from the script (in their native language). The pre-production of the scenes includes: directing strategies, choice of the location, props and light. For further script development, the main areas of interest will be: the dramaturgy of scenes, the development of characters, the visualisation of the tone of the film with regard to its future distribution. The session will end with a market-oriented day.

Between the sessions, the participants are expected to work on their treatments and scripts.

Tutors

Wojciech Marczewski, Agnieszka Holland, Jerzy Zielinski
(Poland)
Lone Scherfig, Mogens Rukov (Denmark)
Ildiko Enyedi (Hungary)
Udayan Prasad, Pawel Pawlikovski, Witold Stok, Nigel Orrillard, Marylin Milgrom, Alan Fountain (England)
Antoine Jaccoud (Switzerland)
Roshanak Behesht Nedjad (Germany)

In addition, three ‹Godfathers› - Andrzej Wajda, Volker Schlöndorff and Alexander Sokurow - will act as masters of visual grammar, and creatively interact with the teams.