Using case studies, the two-and-a-half-day Workshop analyses the three best digital production and postproduction workflows related to three ‹standard› film budgets: 200'000 € to 1 mio € /around 2 mio € /around 5 mio €. It gives producers, executive producers, production managers and postproduction managers the methods and tools to best position the production of their feature or documentary films within the digital workflow.
The second part of the programme will be devoted to reviewing the participants' projects.
The third part focuses on the new digital distribution workflow from the Digital Cinema Distribution Master (DCDM) to the theater.
Ultimately the Workshop will investigate the perspectives opened by 3D production.
For more details and registration www.digiprodchallenge.net
Philippe Ros
Director of photography and Digital Imaging Supervisor: OCÉANS by Jacques Perrin and Jacques Cluzaud, HOME by Yann Arthus-Bertrand. For television: cinematographer of the first five seasons of the series KAAMELOTT, directed by Alexandre Astier
Tommaso Vergallo
Director Digital Cinema Department, Digimage Cinema, France (LE FABULEUX DESTIN D'AMÉLIE POULAIN by Jean-Pierre Jeunet, YES by Sally Potter, HOME by Yann Arthus-Bertrand, etc.)
Ruedi Schick
Founder and CEO, Swiss Effects (1985), Switzerland
Wolf Bosse
Managing Director, PICTORION das werk, Germany
General moderator
Martin Hagemann
Producer, Zero Fiction Film - Germany: THE TURINE HORSE by Bela Tarr, THE CHILDREN OF HUANG SHI by Roger Spottiswood, FAY GRIMM and FLIRT by Hal Hartley, MOLOCH and FATHER AND SON by Aleksandr Sokurov, etc.
