EKRAN

Participants
9 teams - a director (or writer/director), a writer (or co-writer), a producer and (optionally) a D.O.P..
Two Swiss teams can participate. The selected candidates will be interviewed in March 2012 by W. Marczewski for the final selection.
Date and venue
1st session: Saturday 19 to Thursday 24 May 2012
2nd session: Monday 9 to Wednesday 18 July 2012
3rd session: Monday 17 to Wednesday 26 September 2012 in Warsaw, Poland
Registration/Application deadline
expired!
Fee
The selected teams will be granted scholarships, incl. accommodation.
Language
English
Organisation
Agnieszka Marczewska, AWMSFD

EKRAN is a European training program focusing on the creative pre-production process, as based on shooting practice. Group and individual work will be supervised by highly professional filmmakers.

Session 1: The presentation of the EKRAN program will be followed by each participating project's pitch, treatment group analysis, treatment or script individual analysis. The crucial element of this session will be the intense development of the projects. Special emphasis will be put on working with actors and preparation for shooting during the second and third session.

Session 2: This session will be devoted to developing a more advanced version of the treatment or script and to seeking visualization strategies in order to ensure a truly personal tone. Scenes from the participants' projects with two or three actors will be produced and evaluated. Participants will concentrate on developing images and camera movements through storyboard sessions. A case study examining the relationship between biography and fiction as well as an introduction on the producing component will complete the session.

Session 3: Each team will have the opportunity to invite a director of photography and two actors from its native country to produce a scene from the script (in their native language). The pre-production of the scenes includes: directing strategies, choice of the location, props and light. For further script development, the main areas of interest will be: scene dramaturgy, character development and the visualization of the tone of the film.

Between the sessions, the participants are expected to work on their treatments and scripts.

Tutors

Wojciech Marczewski, Andrzej Wajda
(Poland)
Mogens Rukov (Denmark)
Ildiko Enyedi (Hungary)
Antoine Jaccoud (Switzerland)
Udayan Prasad, Marilyn Milgrom, Witold Stok, Alan Fountain, Nigel Orrillard (England)
Roshanak Behesht Nedjad (Germany)
Jerzy Zielinski (USA)
In addition, three Godfathers Andrzej Wajda, Volker Schlöndorff and Alexander Sokurow - will act as masters of visual grammar