Colour is an integral part of developing an animated film; while often neglected, it is an important step in supporting the narrative. Colours give a film an identity, and also help with characterisation and a sense of place and emotion. In this seminar, participants will get to know a range of approaches presented by two industry mentors using case studies and practical exercises.
Speakers
Carlos Felipe Leon
Born in Bogotá, Colombia. Studied in France and worked as a colour designer /colour key artist and art director on feature films in the French animated film industry. Lives and works in San Francisco as visual development artist at Oculus story studio.
THE LORAX, DESPICABLE ME, A MONSTER IN PARIS, FANTASIA 2000
illustration.carlos-leon.com
Paul Mager
Graduate of the Georges Méliès school of cinema and animation. He has worked on sets and characters for many projects since 2003, including, A MONSTER IN PARIS (Europacorp), DESPICABLE ME and MINIONS (Universal studios).
paulmagerportfolio.blogspot.ch
Carlos Felipe Leon
Born in Bogotá, Colombia. Studied in France and worked as a colour designer /colour key artist and art director on feature films in the French animated film industry. Lives and works in San Francisco as visual development artist at Oculus story studio.
THE LORAX, DESPICABLE ME, A MONSTER IN PARIS, FANTASIA 2000
illustration.carlos-leon.com
Paul Mager
Graduate of the Georges Méliès school of cinema and animation. He has worked on sets and characters for many projects since 2003, including, A MONSTER IN PARIS (Europacorp), DESPICABLE ME and MINIONS (Universal studios).
paulmagerportfolio.blogspot.ch
